Novelist and short story writer Leone Ross thinks that sex writing needs a better reputation. She tells us about the anatomy of a brilliant sex scene, ‘gussied-up porn’, and getting angry at the Bad Sex in Fiction Awards.
What do you think makes good sex writing?
Authenticity. Specificity. Lack of apology. A genuine respect for the wisdom of its inclusion.
Why does erotic writing have such a bad reputation?
Because most of it is written really badly by people who haven’t thought about the beauty and complexity of language, nor considered nuances of rape culture; because of cynical parts of the industry who just want to flog gussied-up porn; because most humans are embarrassed by sex.
Why are we so hung up about getting sex writing wrong?
Because it is often so very wrong. It’s a valid concern. By wrong, I simply mean riddled with cliche and self-consciousness.
How do writers get over that fear?
Stop being hung up about the damn sex! Approach it as you would any good writing: directness, specificity, clear motivation, contribution to plot and character.
Is there a danger zone when people start writing about sex? What (if anything) should writers try steering clear of?
I think you should write what you like in terms of subject matter. But you also need to do the work off the page. If fear, embarrassment, conservatism or lack of care are present in you, you’re probably getting in your own way.
What do you think about the Bad Sex in Fiction Award?
Love them. Roar with laughter every year. And then I get really mad! How could any good editor let this stand?
What are your favourite sex scenes in fiction?
*That* wedding night scene in Ian McEwan’s ‘On Chesil Beach.’ It’s a master class in why sex matters